ANIMATION AND VIDEO

Technical animations, walkthroughs, and explanatory videos are developed for process simulation, as well as for the review and presentation of prototypes, projects, and scenarios.

CRUDE OIL STORAGE STATION

CRUDE STORAGE

| | Project: CRUDE OIL STORAGE STATION | | Registration: ID 4-23-355/356 DNDA Colombia | | Date: 03/10/2020 | | Author / Director: Markus Hormaza — Representative of ASAP PROJECTS © | | Discipline: Animation and Video — Architectural and Industrial Cinematography | | Duration: 00:15 seconds | | Official Link: https://youtu.be/ejQL02NOo6I | | Format: HD Digital Video (1280 × 720 px) — FPS: 30 — Aspect Ratio 16:9 — Codec: H.264 | | Virtual Cinematography: Digitally simulated drone camera with an ascending spiral trajectory. Begins 15 m below finished floor level (underground zone), showing subterranean infrastructure and foundations, then emerges and ascends to 25 m above ground, overflying a tanker truck unloading area and storage tanks for refined petroleum products such as naphtha, kerosene, diesel, etc. Continuous movement, fixed exposure f/11 — ISO 100 — Shutter Speed 1/125 — Equivalent 50 mm lens — D65 White Balance — Monochromatic Hidden View style | | Visual Treatment: Hidden 3D View rendering developed entirely using Autodesk, Inc. tools | | Color Palette: Black and white, with black outline edges on a neutral background. No labeling or sound. The aesthetic is defined as technical documentary, for structural and spatial reading of the model | | Software and Technology: Autodesk, Inc. Rendering without external post-production. Exposure, focus, and trajectory control defined within the CAD-BIM environment | | Objective: To produce a technical audiovisual work of a cinematic nature, aimed at engineers, investors, and specialists in the petrochemical sector, illustrating the infrastructure associated with the storage of refined petrochemical derivatives. The work is part of the Detail Engineering process, intended to notify and document the spatial arrangement of the construction components of a storage station | | Design Phase: Structural and volumetric modeling of atmospheric tanks, conduits, pumping system, filtration, measurement, and tanker truck unloading area. Configuration of an ascending helical camera trajectory (from -15 m to +25 m), simulating an industrial inspection drone. Adjustment of exposure, contrast, and focal distance to highlight geometries and proportions. Composition centered on the technical legibility of the design, not on its aesthetic or symbolic load | | Artistic Description: A technical industrial registry film work, exposing the structural and volumetric interior of a refined products storage station. The virtual tour documents the infrastructure from a general project inspection perspective, evoking the cinematographic practice of recording in classified petrochemical areas, where heights, distances, and recording conditions are defined by safety protocols and regulations for recording in restricted environments. The result is a high-precision visual representation, conceived as an audiovisual tool for technical communication, ideal in the development of AEC projects | | Applied Standards and Regulations: ITU-R Rec. 709 (HDTV Colorimetry), SMPTE 292M / 428-1 (Digital Cinematography Quality), ISO/IEC 14496-10 (H.264 — digital video coding), Safety Guidelines for the Film and Television Industry, UAV Protocols for Petrochemical Zones (Terra Drone, 2023), Drone-Based Non-Destructive Inspection Standards (ResearchGate, 2022) | | Design Requirements: 100% technical visual narrative, without ornamentation or expressive resources. Aerial camera simulation in compliance with petrochemical inspection standards. Validation of the model as a visual engineering input for decision-making and presentation to regulatory bodies or investors | | Applied Skills: Technical and cinematic direction - CAD-BIM animation - Technical rendering - Industrial modeling - Specialized audiovisual communication | | Designed Components: Drone-type camera with ascending spiral trajectory. Full-scale modeling and monochrome Hidden View rendering | | Generated Documentation: Technical audiovisual work registered with DNDA Colombia. Integral part of the ASAP PROJECTS industrial cinema and technical documentary line, focused on the visualization of industrial infrastructure | | Considerations: The work serves a function of technical dissemination and industrial development, not artistic promotion. Its austere, monochromatic, and structural film language guarantees visual clarity for audiences with training in petrochemical and applied engineering processes | | Contact: Markus Hormaza, hormazamarkus@gmail.com | | Rights: ASAP PROJECTS © — All rights reserved | |

CRUDE OIL DISTILLATION SYSTEM

CRUDE DISTILLATION

| | Project: CRUDE OIL DISTILLATION SYSTEM – Video Clip | | Registration: ID 1-2025-62685 DNDA Colombia | | Date: 02/01/2025 | | Author / Director: Markus Hormaza, Representative of ASAP PROJECTS © | | Discipline: Animation and Video, Architectural and Industrial Cinematography | | Duration: 00:15 seconds | | Official Link: https://youtu.be/oZ9EjkvddXY | | Format: HD Digital Video (1280 × 720 px) - FPS: 30 - Aspect Ratio 16:9 - Codec: H.264 | | Cinematography: Virtual drone-type camera with logarithmic curve trajectory. Simulated flight altitude: 45 m - Fixed exposure f/11 - ISO 100 - Shutter Speed 1/125 - Rec. 709 Colorimetry - H.264 Compression - D65 White Balance - Equivalent 35 mm lens | | Visual Treatment: Hidden 3D View style - Global IBL lighting - No external post-production - Monochromatic palette - Natural contrast - Documentary tone in classified areas | | Software and Technologies: Autodesk, Inc. | | Objective: Professional production of an audiovisual work based on an interdisciplinary 3D CAD model, focused on heavy crude oil fractionation and distillation, with a strictly cinematic visual and narrative treatment. The goal is to transform a complex technical model into an audiovisual piece through animation, editing, and video post-production of an experimental and documentary nature | | Design Phase: Generation, configuration, and editing of a cinematic drone-like digital aerial sequence over an approximately 21-meter distillation tower in a virtual petrochemical environment. Design of a controlled elliptical camera path, focusing on rhythm, geometry, and technical observation from a safe-zone aesthetic | | Artistic Description: An audiovisual work without labels or sound that explores the aesthetic of aerial spatial reconnaissance within petrochemical-type industrial areas, translating drone movement into a cinematic gaze of controlled observation. The camera moves with mechanical precision and narrative cadence, articulating rhythm, void, and geometry as compositional elements. The work belongs to the ASAP PROJECTS visual language, which transforms industrial visualization into a functional cinematic experience. The digital lens interprets engineering components as sculpture, and the tower as the symbolic axis of balance between energy, control, and hierarchy. The result: a look of contemplative industrial cinema, without narrative artifice, guided only by the iteration of edges and the interpretation of engineering design | | Project Scope: Creation of a technical cinematic work from a 3D Hidden View model, optimizing visualization styles and composition elements. Preparation for future integration with artificial intelligence (AI) for automated generation of visual effects, animations, or narrative enhancement | | Applied Standards and Regulations: Audiovisual: ITU-R Rec. 709 — International standard for HDTV colorimetry, SMPTE — Professional audiovisual quality standards, ITU-R Rec. 2100 — HDR (High Dynamic Range) compatibility, ISO/IEC 14496-10 (H.264) — Efficient digital video coding and compression - Cinematography in classified petrochemical areas: Safety Guidelines for the Film and Television Industry, Drone-Based Non-Destructive Inspection Standards (ResearchGate, 2022), UAV Protocols for Petrochemical Zones (Terra Drone, 2023) – Guidelines for safe drone operation in explosive atmosphere areas | | Design Requirements: Generation of a visual and symbolic narrative from a technical three-dimensional environment. Compliance with international regulations for educational and informative content. Exclusive use of Autodesk, Inc. tools for animation, rendering, and camera control. Deliberate absence of audio and text as an aesthetic resource | | Applied Skills: Virtual art direction and photography - CAD management, 3D animation | Cinematic rendering | Professional editing and post-production - Management of technical and visual standards in film content | | Designed Components: Cinematic drone aerial camera loop, 3D distillation tower, metal walkways, ducts, valves, and industrial vessels. Scene composition at real scale, optimized for lighting and texture | | Generated Documentation: Audiovisual work registered with the National Copyright Directorate of Colombia. High aesthetic and technical value interdisciplinary production | | Materials: HD rendered video in MP4 format with optimized textures, contrast, exposure, and industrial tone | | Considerations: The work combines technical visualization and cinematic narrative to communicate the poetry of engineering. It represents the convergence of science, art, and technology. Its silent narrative evokes the gaze of a technical correspondent observing the heart of modern energy from a safe zone | | Contact: Markus Hormaza, hormazamarkus@gmail.com | | Rights: ASAP PROJECTS ©. All rights reserved | |

MINIMALIST FURNITURE IN INDUSTRIAL ARCHITECTURE

FURNITURE INDUSTRIAL

| | Project: MINIMALIST FURNITURE IN INDUSTRIAL ARCHITECTURE | | Registration: ID-1-2025-158115 — DNDA Colombia | | Date: 10/15/2025 | | Prepared by: Markus Hormaza — Representative of ASAP PROJECTS © | | YouTube Link: https://youtu.be/Jg2S0tDvvas | | Objective: Digital cinematic production derived from a three-dimensional architectural model developed in a CAD-BIM environment. The work proposes a visual exploration of space immersed in Industrial Architecture from a filmic perspective, where function, geometric precision, and volumetric hierarchy replace ornamentation. Under the 3D Hidden style, the visual direction interprets architecture as raw narrative, emphasizing composition, perspective, and the relationship between camera and structure | | Design Phase: Direction, animation, editing, and digital cinematic post-production of a three-dimensional environment conceived as a virtual stage set. The camera becomes a narrative instrument, traversing the space without characters, sound, or labeling, prioritizing visual silence as an expressive medium | | Project Scope: Creation of a minimalist digital cinematic work that translates the architectural discipline into a contemporary and pragmatic visual language for various infrastructure installations. The camera's path reveals the industrial structure as both setting and discourse, making geometry the protagonist. The visual narrative is constructed from controlled movement, virtual depth of field, and the spatial continuity of the sequence-shot | | Cinematic Standards: Rec. 709 (color space), SMPTE (projection and technical video quality standards), Rec. 2100 (HDR), and ISO/IEC 14496-10 (H.264) for professional audiovisual encoding and distribution | | Design Requirements: LOD 300 CAD-BIM modeling as the digital stage base. Configuration of cameras, trajectories, and shots to achieve narrative coherence, focus precision, and virtual exposure control. The work adheres to principles of cinematic composition applied to digital environments, privileging formal clarity over aesthetic effect | | Key Skills: Digital cinematic direction, virtual scene planning, three-dimensional digital camera operation, visual rhythm design, technical rendering, and spatial composition. The filmic grammar recovers the concept of habitat from within the pragmatic confluence inherent to Industrial Architecture | | Technologies Used: Autodesk, Inc. (modeling, animation, and digital rendering) | | Designed Components: Virtual stage set, camera circuits, compositional direction, visual rhythm, technical framing, and spatial continuity. The work dispenses with sonic and textural elements to concentrate on geometric expressiveness and the narrative of movement | | Generated Documentation: Digital cinematic work registered with the National Copyright Directorate of Colombia, representing the convergence of visual direction, Industrial Architecture, and cinematic art | | Materials: Rendering in 3D Hidden mode, without textures, materials, or directed luminance. The visual treatment is based on light-shadow contrast and the default nature of edges, leading to volumetric reading as visual poetry | | Software: Autodesk, Inc. | | Cinematic Considerations: The video clip is part of non-figurative digital cinematic direction. The virtual camera acts as an interpreter of space, revealing the habitat hidden in geometric precision and industrial pragmatism, to propose a synergy between art, technique, and visual contemplation | | Contact: Markus Hormaza, hormazamarkus@gmail.com | | Rights: ASAP PROJECTS © — All rights reserved | |

INFRASTRUCTURE FOR THE PRE-ACTION SYSTEM

SCI PRE-ACCION

| | Project: INFRASTRUCTURE FOR THE PRE-ACTION SYSTEM – Video Clip | | Registration: ID-1-2025-171338 DNDA Colombia | | Date: 03/02/2026 | | Prepared by: Markus Hormaza, representative of ASAP PROJECTS © | | YouTube Link: https://youtu.be/RSZVbUwc19w | | Objective: Professional audiovisual production derived from a 3D CAD-BIM model developed with Autodesk, Inc., focused on the visual direction of a hydraulic infrastructure system for pre-action fire protection. The work translates a buildable engineering project into a digital cinematic language, highlighting geometric precision, technical hierarchy, and spatial narrative through composition, rhythm, and camera movement. Conceived in the 3D Hidden style, the clip transforms technical rigor into contemporary visual expression, fusing engineering, art, and technology | | Design Phase: Direction, animation, editing, and professional post-production of a technical-cinematic video based on coordinated CAD-BIM modeling | | Project Scope: Creation of a technical-artistic video clip representing the three-dimensional coordination of pre-action hydraulic, pumping, and control systems, through an audiovisual narrative that translates engineering principles into a comprehensible and aesthetically structured visual experience. The focus is on digital cinematography applied to CAD-BIM modeling, highlighting technical traceability and the plastic value of industrial design | | Standards Used: Rec. 709 (color space), SMPTE (technical video quality), Rec. 2100 (HDR), and ISO/IEC 14496-10 (H.264) for professional audiovisual encoding, compression, and distribution | | Design Requirements: LOD 300 CAD-BIM modeling as the structural foundation for animation, guaranteeing geometric precision, detailed development, clash resolution, and visual definition. Development of a three-dimensional narrative through synchronized camera movements, timing control, and digital scene direction. Adherence to principles of technical cinematography and audiovisual composition applied to engineering projects | | Skills: Technical audiovisual direction and editing applied to CAD-BIM models; design of scene planning and camera paths; control of dolly, orbit, pan, and tracking movements; composition of architectural spatiality; technical and interpretive visual narrative; structural rendering in 3D Hidden style; edge correction and smoothing, and post-production synchronized with sound design and visual rhythm | | Technologies Used: Autodesk, Inc. (CAD-BIM technical modeling and animation) | | Designed Components: Configuration of three-dimensional digital cameras in a CAD-BIM environment; design of technical framing and spatial compositions; establishment of camera circuits that traverse the model, emphasizing system construction details; assembly of dynamic sequences for technical and aesthetic reading; direction of focus, depth of field, and visual rhythm; absence of animated labeling, transition effects, and directed luminance to enhance spatial narrative and design comprehension | | Generated Documentation: Technical-artistic video clip registered with the National Copyright Directorate of Colombia, providing an audiovisual representation of the "Infrastructure for the Pre-Action System" project | | Materials: Video rendered in 3D Hidden mode—without textures or materials—focused on the expressiveness of geometry, light-shadow contrast, edge optimization, and the visual interpretation of constructive order | | Software: Autodesk, Inc. | | Considerations: The project constitutes an exercise in technical cinematography applied to digital engineering, where three-dimensional visualization is conceived as narrative art and a tool for specialized dissemination. It promotes 'crude precision' as an aesthetic language, fusing structural accuracy and cinematic sensitivity in a piece that celebrates the convergence of design, technology, and visual art, even while eschewing materials and default fills of the software used | | Contact: Markus Hormaza — CAD-BIM Manager, hormazamarkus@gmail.com | | Rights: ASAP PROJECTS © — All rights reserved | |

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ANIMATION AND VIDEO

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